Creating The Means For The Production — On Zoe Quinn - Our last statement

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On Zoe Quinn - Our last statement

Zoe Quinn contacted us last night. For those people that have been trying to contact me since that exchange, I’m sorry for not getting back to you. We had to discuss many things internally at TFYC in the time between then and now. 

Many people don’t understand how much I did not want to be the voice of this production. I normally do not deal with the public, and I do not do PR, I know I can’t spell, and I have a very large fear of appearing on camera, which is why I have not done any webcam interviews. My friends did not know my politics on women’s issues. This was a part of me I did not want to share publicly. And I thought, which has been proved time and time again in the coverage around this project, that a man was not supposed to speak about women’s issues. 

I wanted to support someone else’s idea, and when the whole Twitter storm happened, we were in the process of hiring an individual to replace me so I would never have to speak to the public at all. We did not feel that the person who was to assume my role would be treated fairly, and so I assumed the role. This was in part because a backer of the original production stepped out because of the drama. 

Regarding our grievances with Zoe Quinn, an associate of hers, posted my Facebook information. Zoe did not add any information to the post, nor did she post my phone number or email. The subsequent death threat I received via email was not orchestrated by Zoe. Nor was the DDOSing of our website or the banning of us from Twitter. She was simply the most famous voice in a choir of people that did not understand the project. 

Zoe and I come from completely different worlds. She has fans and speaks with them regularly as part of her life and her profession. The line between who is a friend, who is a fan, who is a supporter, and who is a colleague sometimes blur. I enter companies and few people even know my name; I leave companies and I am quickly forgotten. I get paid by the hour, or by the job with each task itemized. The friends I do have are deeply personal, and none of them I contact on social networks. I do not wish to be a celebrity, even if it is just online. I am a visitor to his Indie game world and I will eventually take my leave. 

I do not feel Zoe understood the ramifications of what she associate was posting or how it would affect me professionally and personally. Arguably speaking, many people would have killed for the Internet publicity I recieved due to the attention her presence called to the post and my subsequent failings to control my anger about the issues by posting to reddit. I had no idea it would go viral, and for that I am sorry for the people that I hurt. 

The fallout from the posting of my info costed me around $10,000 dollars, as a business partner walked of the production because of the negative publicity and a sponsor refused to come on board with production being deemed transphobic. I have paid this money and it has not affected my standard of living. The fallout she is receiving, from what she personally described to me, is.

The subsequent conversations I have had with the community have affected me deeply and your support has been very welcome and I feel it has made me stronger as a person. 

I honestly think at the time, everything she said about the project, she thought was an appropriate way to deal what she perceived as a threat to woman in the industry. This immediate reaction is reflected in the coverage of the project. 

As such I no longer wish to discuss her role in this fiasco. I apologize to any reporter that may be interested in this story but if asked I will simply say “I do not recall exactly what happened.” So the conversation can end. 

I feel anyone can redeem themselves, I am still critical of many of her policies but I assume many of you are critical of some of mine as well. 

We may never be friends, but we are no longer enemies, and she will not be involved in TFYC. Your opinion of what she did is your own, my opinion is that it is no longer worth mentioning in regards to this production. I am sorry if this causes you to lose respect for me, but in the end this is something that I must do, for the good of the project. Because perhaps by getting past this issue journalists will finally cover not only what TFYC is about, but also the incredible achievements women have accomplished in the industry, instead of a narrative that only points them as victims.